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Aggie's Fiction Pick for April 2021

Aggie's Non-Fiction Pick for April 2021

Aggie's Fiction Pick for March 2021

Aggie's Non-Fiction Pick for March 2021

Dantiel W. Moniz writes with such an astonishing force, I don't recall being so excited about a debut short story collection since I read Jhumpa Lahiri's Interpreter of Maladies. I found myself spellbound and swept away into the sweltering world of contemporary Florida, where 'girls stuff' and femininity are not your ordinary pink stuff. Milk, Blood, Heat is a beautiful and dangerous place, where teenage girls dare to look at the face of death or evil. This ferocity in Dantiel’s characters searching for goodness in themselves mirrors the same power and audacity that makes Dantiel's writing so captivating. I would follow this magnificent voice anywhere.
Aggie's Fiction Pick for February 2021

Aggie's Non-Fiction Pick for February 2021

Reading House on Vesper Sands by Paraic O'Donnell, one cannot help but think that books are magical, sacred objects capable of transporting us through time! This London Victorian mystery with supernatural elements, written with such finesse and wit, is a perfect read for Arthur Conan Doyle and David Mitchell fans. A Scotland Yard Inspector Cutter's sarcastic remarks will make you laugh aloud, you'll root for his earnest assistant and divinity student Gideon Bliss to find his lost love Angie, and the smarts of a young journalist, Octavia Hillingdon, will delight you. Brilliant writing and an absolute pleasure to read!
Aggie's Fiction Pick for January 2021

A Swim in a Pond in the Rain by George Saunders, the Booker prize-winning author, is a book I would take to a deserted island. Saunders' in-depth craft analysis of Chekhov, Turgenev, Gogol, and Tolstoy's short stories (altogether seven stories with complete texts included) is more than just a creative writing handbook, instructing us how to read and write. It's a school of life, an illuminating guide on how to really be ourselves. The book evolved from Saunders' two decades of teaching writing at Syracuse University..
Aggie's Nonfiction Pick for January 2021

Aggie's Fiction Pick for December 2020

Aggie's Nonfiction Pick for December 2020


Aggie's Pick


It's hard to imagine a more relevant literary thriller for these pandemic times we're living in as Rumaan Alams' brilliant take on race, class, and global threats facing the world in 2020. Amanda and Clay, a white, middle-class couple from Brooklyn, rent a house of their dreams in Hamptons' remote area. The luxurious, tasteful home fits them like a glove. Even their adolescent kids Rose and Archie, are appeased by a heated pool and hot tub in the yard, woods stretching outside the door. Late in the night, there is a knock on the door, and an older Black couple introduces themselves as the house owners, forced to seek refuge in their second home because of the significant blackout reported on the East Coast, possibly caused by the approaching hurricane. As the week goes by, it becomes evident that something more sinister is at stake. They hear distant explosions, and they feel vibrations of the remote bombs. They see strange sightings of animals, thousands of deers on the move, a flock of majestic, pink flamingos descending into the pool. Without working phones or television, deprived of the news, surrounded by unnatural, menacing quiet between the explosions, they had no choice but to turn to each other for comfort and safety. They are like animals, too, on the brink of extinction, but holding on onto their humanity. --Aggie

In the aftermath of her basketball prodigy brother’s death of a heroin overdose, Gifty, a young Ghanaian-American woman, is determined to find the cure for addictive behavior. She’s a Ph.D. candidate in neuroscience at Stanford, experimenting with the reward-seeking response in mice when her clinically depressed mother moves in with her, reeling still, years after she lost her country, her husband, and finally her son. This beautifully written novel gets even more poignant when we read Gifty’s childhood journal entries, written in the form of letters to God. We learn about her family’s struggle to assimilate in Alabama as black immigrants, her self-loathing, and her spiritual wounds. She uses code names for her father Chin Chin Man after he abandons the family and returns to Ghana, and Black Mamba for her often the angry and suicidal mother who finds solace in evangelical faith. Ultimately, this is a book about redemption, the consolation of work, and how to find the strength to go living is nothing short of a miracle. --Aggie


Aggie's Pick

Aggie's Pick

Aggie's Pick

Megha Majumdar delivers an unforgetable story about the turbulent lives of three protagonists, Jival, a young Muslim woman from the Kolabagan slums, PT SIr, her former gym teacher with political ambitions, and Lovely, a neighborhood’s transgender woman and an aspiring actress. The igniting event is when Jivan witnesses a terrorist attack on a train in which more than hundred people perish, and she posts a comment on Facebook accusing police of negligence and implicating the government in it. Instead, Jival gets arrested and accused of helping the terrorists. With a clinical precision, Majumdar portrays a harsh world of poverty and extremism where innocence, ambition and yearning get trampled by corruption and greed. As a reader, I was disheartened by the injustice committed against Jival, and more than ever inspired to stand on the side of those who suffer. --Aggie

Aggie's Pick

Mason’s previous novel The Winter Soldier is on my list of favorite books of all time. And now, I’m just as smitten with his latest book of short stories, A Registry of My Passage Upon the Earth. What a wondrous collection, bursting with longtime and faraway yarns, richly woven with philosophical and scientific details. Although we find ourselves in the realm of historical fiction, every story resonates deeply with today’s reality; a mother fighting for her child suffering from asthma, lonely telegraph operator in the midst of the Amazonian jungle seeking connection, a bug collector desperately waiting for a letter from Charles Darwin. The title story portrays Arthur Bispo do Rosario, a schizophrenic man interred in an asylum, who makes art out of found objects. Similarly, writers are collectors of human lives, registering our short passage upon the earth, making us see how strong our connections are, how we’re all touched by love and loss. Reading this book is like opening a treasure chest, each of nine short stories belongs in an imaginary museum of historical curiosities. --Aggie

Aggie's Pick

The book was inspired by Miller’s personal journey to understand how to persist in the midst of chaos. This masterful book is impossible to classify; it’s part science, part biography/memoir, part psychological thriller, part self-help manual, interweaving personal and scientific elements in a dazzling way. It’s about David Starr Jordan, a founding president of Stanford University who devoted his life to studying fish, and how he recovered from losing his life work in the San Francisco 1906 earthquake. What Miller does is astonishing: she painstakingly makes a historical reconstruction of his life; from his enchanting boyhood full of curiosity, making maps of stars, collecting and classifying thousands of fish in his youth and becoming a taxonomist expert; to building the Hopkins Seaside Laboratory on the Monterey Peninsula during his Stanford tenure; to his involvement in covering up Jane Stanford’s mysterious death by strychnine poisoning, and finally to being supporter of eugenics in his old age. What connects all of these threads is Lulu Miller’s inquisitorial mind to understand Jordan’s childlike ‘shield of optimism’ and what made him veer of the course. And yet, the most significant discovery she makes is about the invisible threads of human connection that keep us bound to each other -- possibly the very secret of how to stay defiant and hopeful.--Aggie

Aggie's Pick

Casey Peabody, a vulnerable, young writer who lives in a potting shed in Boston, pays her bills by waitressing and walking her landlord's dog, but refuses to give up her dream of being a published author one day. She’s reeling from a sudden death of her mother and a breakup with Luke, a fellow writer she met at the artist residency. Casey’s romantic life gets even more complicated when she’s torn between Oscar, an older, famous novelist, widower and father of two boys, and Silas, one of Oscar’s students. Lily King masterfully layers Casey’s hardship with money, loss of her mother, fallout with her father, her own medical scares, her unfailing artistic ambition and tangled love life. At the end, the future looks bright for Casey, and I realized that the book I’m holding is a palpable result of her grief, her sharp insight, and ultimately triumph and happiness. --Aggie

When you are awestruck, how do you put it into words? Douglas Stuart’s debut novel Shuggie Bain reads like a classic masterpiece, and the main protagonist Hugh Shuggie Bain is one of those unforgettable characters, well on his way to become a household name such as David Copperfield or Holden Caulfield. Shuggi is Agnes Bain’s youngest child, two older siblings gone because of Agnes’ alcoholism and neglect, and their father’s infidelity. The novel takes place in1980s and 1990s Glasgow, Scotland, on the river Clyde, a poverty stricken city during Margaret Thatcher presidency, its abandoned railroads and shipworks resembling “rotted dinosaurs.” In that deprived, desperate world, what shines is Shuggie’s love and devotion for his Elizabeth Taylor look-alike mother, his desire to help Agnes overcome her addiction. At the same time, while caring for his mother, young Shuggie confronts his own sexuality, loneliness, bullying at school, and hunger at home. I don’t remember rooting so much for a character in a book, like I did for Shuggie, whose innocence and capacity for forgiveness illuminates the darkness of human suffering. Dear Shuggie, I already miss your pure, sweet heart, and sincerely hope Stuart Douglas writes a sequel to this extraordinary book. --Aggie

Before his family airplane trip to Los Angeles from New York, twelve-year-old Eddie Addler was just an ordinary boy, with a mother, father, and a fifteen-year-old brother Jordan. After the plane crashes, killing everyone on board, the only survivor Eddie becomes Edward, the miracle boy who lived. His aunt Lacey and uncle John take him in, but his friendship with the young girl Shay next door is his new lifeline. When family members from the other passengers write to Edward because he was the last one to see or remember their loved ones alive, Edward's deeply personal story of recovery becomes alive with universal parallels. Dear Edward is like a lantern leading us out of darkness; a beautiful, poignant story of community and the power of kindness. --Aggie

Aggie's Pick

Aggie's Pick

The Dutch House tells the story of two loving siblings growing up in a grandiose mansion still filled with the previous owner’s portraits. When their mother disappears without any explanation, the house fills with an aching absence. We follow Maeve and Danny throughout their adult lives as they try to understand why their mother abandoned them. --Aggie

Aggie's Pick

The autobiographical debut novel by Ocean Vuong, a young queer Vietnamese poet, might well be the most beautiful book in the world. Written in the form of a letter to his mother who cannot read, the book is a lyrical, tender testament to the mother/son/grandmother relationship and their immigrant experience. --Aggie




The most brilliant, raw, devastating writing on women’s sexuality. This exquisite non-fiction book reads like a page-turning thriller. The three stories about three women capture an entire universe of female longing and desire. Buy an extra copy for your best girlfriend! And your boyfriend, too! --Aggie


This transcendent anthology, edited by John Freeman, captures all the different voices of contemporary California, allowing us to discover the mythological and geographical heart of this place. The stories and poems gathered here are like the trail of shimmering pebbles left to mark our way home. --Aggie

The whimsical little book The Boy, the Mole, the Fox and the Horse, reminiscent of treasured classics such as Winnie-the-Pooh and The Little Prince, is full of wonderful things. The conversations between four different creatures about friendship, kindness and courage are depicted with humor and grace. Each page is a small marvel of a simple, yet profound advice. The miraculous and magical ink and watercolor drawings contain hidden stories; this book is to be reread and cherished. We cannot think of a better book to create delight and pleasure in the reader. It should be on everyone’s gift list. --Aggie
