Heroines (Semiotext(e) Active Agents) (Paperback)

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Staff Reviews

At once memoir and history, critical analysis and impassioned reclaiming - Heroines is a book beyond simple categorization. This is an angry book and a beautiful one, written by an author who refuses to accept or further the erasure which has been enacted viciously on women, especially women artists, who refused to accept the constraints placed upon them, or who failed to successfully inhabit the role expected of them. Fighting to reclaim the stories of these forgotten/ignored/vilified women, Zambreno charts the obsessive tendency of history and society to contain women and silence them, as well as the powerful ways in which women can use art to claim and demand space and to refuse easy containment. --Molly

— From Staff Picks - Molly


A manifesto for "toxic girls" that reclaims the wives and mistresses of modernism for literature and feminism.

I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order--pretending an objectivity where there is nothing objective about the experience of confronting and engaging with and swooning over literature."
--from Heroines

On the last day of December, 2009 Kate Zambreno began a blog called Frances Farmer Is My Sister, arising from her obsession with the female modernists and her recent transplantation to Akron, Ohio, where her husband held a university job. Widely reposted, Zambreno's blog became an outlet for her highly informed and passionate rants about the fates of the modernist "wives and mistresses." In her blog entries, Zambreno reclaimed the traditionally pathologized biographies of Vivienne Eliot, Jane Bowles, Jean Rhys, and Zelda Fitzgerald: writers and artists themselves who served as male writers' muses only to end their lives silenced, erased, and institutionalized. Over the course of two years, Frances Farmer Is My Sister helped create a community where today's "toxic girls" could devise a new feminist discourse, writing in the margins and developing an alternative canon.

In Heroines, Zambreno extends the polemic begun on her blog into a dazzling, original work of literary scholarship. Combing theories that have dictated what literature should be and who is allowed to write it--from T. S. Eliot's New Criticism to the writings of such mid-century intellectuals as Elizabeth Hardwick and Mary McCarthy to the occasional "girl-on-girl crime" of the Second Wave of feminism--she traces the genesis of a cultural template that consistently exiles female experience to the realm of the "minor," and diagnoses women for transgressing social bounds. "ANXIETY: When she experiences it, it's pathological," writes Zambreno. "When he does, it's existential." By advancing the Girl-As-Philosopher, Zambreno reinvents feminism for her generation while providing a model for a newly subjectivized criticism.

Product Details
ISBN: 9781584351146
ISBN-10: 1584351144
Publisher: Semiotext(e)
Publication Date: October 5th, 2012
Pages: 309
Language: English
Series: Semiotext(e) Active Agents