Author Cassandra Fallows believes she may have found the story that could become her next bestseller. When she was a girl growing up in a racially diverse middle-class neighborhood in Baltimore, a shy, quiet, unobtrusive child named Calliope Jenkins orbited Cassandra's circle of friends. Later Calliope would be accused of an unspeakable crime and would spend seven years in prison for refusing to speak about it. But by delving too deeply into Calliope's dark secrets, Cassandra may inadvertently unearth a few of her ownforcing her to reexamine the memories she holds most precious, as the stark light of truth illuminates a mother's pain, a father's betrayal . . . and what really transpired on a terrible day that devastated not only a family but an entire country.
About the Author
Laura Lippman is the author of eleven novels featuring Baltimore private detective Tess Monaghan, seven stand-alone novels, and a short story collection. Her six most recent books have all been New York Times bestsellers. Lippman has won numerous literary prizes for her work, including the Edgar®, Anthony, Nero Wolfe, Agatha, Gumshoe, Barry, and Macavity Awards. A recent recipient of the first-ever Mayor's Prize, she lives in Baltimore, Maryland, with her husband, David Simon; their daughter; and her stepson.
Praise for Life Sentences…
Lippman has enriched literature as a whole.
Life Sentences is an original and intricately woven whydunnit, with characters as real as the Baltimore streets they live on.With Laura Lippman’s unique storytelling and love of the genre, mystery awards will surely keep pouring in.
-Madison County Herald, Mississippi
“Lippman knows exactly what she’s doing.”
“Lippman, a Baltimore native, skillfully brings the racial and economic tensions of her middle-class neighborhood to life in this poignant page-turner.”
“Theirs is a strong and vivid story, one that will intrigue many readers—especially, I suspect, women who find echoes of their own lives and friendships in this drama.”
“Succeeds brilliantly... Lippman is in total command of her material, weaving strands about race, family myths and self-deception into a mystery so taut the reader is nearly afraid to keep going—and simultaneously powerless to stop.